Hungarian designer Martzi Hegedus created the font Frustro, a font face that will make the impossible possible.
Frustro is based on the Penrose triangle. The Penrose triangle, also known as the “impossible triangle,” is an optical illusion of a shape that appears to be facing in two directions simultaneously. This geometric figure was first popularized by mathematician Roger Penrose and his father, Lionel Penrose, in the 1950s. The Penrose triangle is often used to illustrate the concept of impossibility in visual form, making it a fascinating subject for artists and designers.
The Concept Behind Frustro
The creator of the Penrose dubbed it as “impossibility in its purest form.” Hence, it is a real feat to produce fonts and characters mimicking the Penrose. The concept behind Frustro is combining the top left and the bottom right of each character in a 3D typeface and merging them into a letter that seems to face both directions. This unique approach creates a visual paradox, making the letters appear as if they are twisting and turning in space.
Frustro’s design challenges our perception and invites viewers to engage with the text in a new and intriguing way. The font’s three-dimensional quality adds depth and complexity to any written material, making it an excellent choice for creative projects, advertisements, and artistic endeavors. By incorporating the principles of the Penrose triangle, Hegedus has managed to create a typeface that is both visually striking and intellectually stimulating.
Applications and Future Developments
The potential applications for Frustro are vast. Graphic designers, typographers, and artists can use this font to add a touch of the extraordinary to their work. Imagine using Frustro in a poster design, where the text itself becomes a focal point, drawing viewers in with its impossible geometry. It could also be used in branding and logo design to create a memorable and distinctive visual identity.
Moreover, Frustro can serve as an educational tool, helping students and enthusiasts understand the principles of optical illusions and three-dimensional design. By studying the font, one can gain insights into how our brains perceive shapes and how designers can manipulate these perceptions to create compelling visual effects.
And good news! It has been confirmed that Hegedus is working on a downloadable format for all of us to enjoy. This means that soon, anyone interested in experimenting with this unique typeface will have the opportunity to do so. The availability of Frustro in a downloadable format will open up new possibilities for its use in digital and print media.
In addition to the downloadable format, there is potential for further development of the Frustro typeface. Hegedus could explore creating additional styles and variations, such as bold, italic, or condensed versions, to expand the font’s versatility. Collaborations with other designers and artists could also lead to innovative applications and adaptations of the Frustro concept.
In conclusion, Martzi Hegedus’s Frustro typeface is a remarkable achievement in the world of design. By drawing inspiration from the Penrose triangle, Hegedus has created a font that challenges our perceptions and invites us to see the impossible. With its upcoming availability in a downloadable format, Frustro is poised to make a significant impact on the design community and beyond.
Source: Behance
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