One thing that hasn’t changed much over the years is the shape of our cameras, which have always pretty much taken the form of a rectangular box design. Now Jean-michel Bonnemoy is looking to change our view of the traditional rectangular camera box design, and has created a unique camera design concept which takes the form of a cylinder.
Jean-michel Bonnemoy’s new D-CAN concept design has been created to significantly reduce the camera’s volume, yet still provide users with all the finite controls professional photographers are accustomed to.
Innovative Features of the D-CAN Camera
Here are a few features that Bonnemoy would include within his camera design if it ever made the jump from concept to production:
– Large range zoom stabilized USM lens.
– A ring authorizes the focus correction. The focal is lockable.
– Extension cursor for macrophotography.
– The lens cap, impossible to lose, includes an electronic flash and the AF-assist illuminator.
– The accessory shoe can receive, besides an electronic flash, a directional microphone or a remote control receiver.
– The cursor “function” allows to choose between fixed views or video, pictures reading, intervallometer and power off.
– Cursor “mode” (program, speed or aperture priority, manual).
– Double key ISO (100 to 6400 ISO).
Advantages of a Cylindrical Camera Design
The cylindrical design of the D-CAN camera offers several advantages over traditional rectangular cameras. Firstly, the ergonomic shape fits more naturally in the hand, potentially reducing strain during extended use. This could be particularly beneficial for professional photographers who spend long hours shooting.
Additionally, the cylindrical shape allows for a more compact and portable design. By reducing the overall volume of the camera, it becomes easier to carry around, making it ideal for travel and on-the-go photography. The design also opens up new possibilities for internal component arrangement, potentially leading to more efficient use of space and better heat dissipation.
Moreover, the inclusion of a lens cap that doubles as an electronic flash and AF-assist illuminator is a clever innovation. This not only ensures that the lens cap is always on hand but also adds functionality without increasing the camera’s bulk. The accessory shoe’s versatility in accommodating various attachments like a directional microphone or remote control receiver further enhances the camera’s utility.
The D-CAN camera’s user interface is designed with photographers in mind. The various cursors and keys allow for quick adjustments and mode changes, ensuring that photographers can easily switch between different settings without missing a shot. The double key ISO feature, ranging from 100 to 6400, provides flexibility in various lighting conditions, making it suitable for both low-light and bright environments.
In conclusion, Jean-michel Bonnemoy’s D-CAN concept camera challenges the traditional rectangular design by offering a cylindrical alternative that is both innovative and practical. With its ergonomic shape, compact size, and versatile features, the D-CAN camera has the potential to revolutionize the way we think about camera design. While it remains a concept for now, its unique approach and thoughtful features make it an exciting prospect for the future of photography.
Source: Yanko
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